نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانش آموخته تاریخ تطبیقی و تحلیلی هنر اسلامی، دانشگاه هنر تهران، تهران، ایران
2 دانشیار، گروه نقاشی، دانشکده هنرهای تجسمی، دانشگاه هنر تهران
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Sadeqi Beg Kitabdar, a prominent Safavid artist and head librarian under Shah Abbas I, is renowned for his contributions to poetry and literature. His works stand out from those of his contemporaries, indicating a unique character and approach that diverged from the norms of his time. Criticisms directed at him during his lifetime now serve as examples of profound self-awareness within a humanistic framework. This research aims to analyze the impact of Sadeqi's self-awareness on the development of Persian painting. The study focuses on Sadeqi's self-awareness and its role in shaping his artistic actions. Key inquiries include the disparity between external perceptions of Sadeqi's personality and his self-portrayal in his works. Employing qualitative strategies such as comparative analysis and case studies, the research seeks to address these questions. Results suggest that differences between Sadeqi's viewpoints and external perceptions stem from a clash of cultural paradigms—a theistic worldview prevalent in his era versus Sadeqi's humanistic perspective. Sadeqi expressed his self-awareness through various means, including self-praise, admiration for his art, and the production of Tazkira books and Qanun Al-Suvar. In summary, Sadeqi Beg Kitabdar's self-awareness transcends his time, providing insights into the confluence of culture, art, and individual identity during the Safavid period. Through his distinct approach and self-expression, Sadeqi contributed significantly to the artistic landscape of his era and beyond.
کلیدواژهها [English]
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