نوع مقاله : مقاله پژوهشی
نویسندگان
1 گروه فلسفه هنر، دانشکده حقوق، الهیات و علوم سیاسی، واحد علوم و تحقیقات، دانشگاه آزاد اسلامی، تهران، ایران.
2 گروه فلسفه، دانشکده ادبیات فارسی و زبان‌های خارجی، دانشگاه علامه طباطبایی، تهران، ایران
3 گروه فلسفه، دانشکده ادبیات فارسی و زبان‌های خارجی، دانشگاه علامه طباطبایی، تهران، ایران.
چکیده
کلیدواژه‌ها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Abbas Kiarostami, the author-filmmaker, has deeply addressed the concepts of communication and language in his works. The efforts of his subjects to establish communication and mutual understanding are a prominent feature of his films, and his emphasis on images rather than words is remarkable. Walter Benjamin’s theory of language, which considers language to be pure and immediate in facilitating communication and considers the role of images and pictures in communication to be sometimes more important than words, can be an effective tool for reflecting on Kiarostami’s cinema. This research seeks to answer the question of whether there is a relationship between Benjamin’s views and Kiarostami’s cinema on language? The aim of this study is to pay attention to the similarities in language between Benjamin’s views and Kiarostami’s films and to find traces of them in his cinematic perspective. The research method in this study is hermeneutic-interpretive reflection. The results of the research indicate that Benjaminian concepts on language are represented in Kiarostami’s cinematic works. Kiarostami often emphasizes the importance of the non-verbal aspects of language by using little dialogue and meaningful silences throughout his films; one notable example is Shirin, which is entirely image-based and has no words. This and other cases clearly align with Benjamin's theory of language. Ultimately, however, examining these similarities does not confirm Kiarostami's definitive modeling of Benjamin, and their existence could be a coincidence.
کلیدواژه‌ها [English]
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