نوع مقاله : مقاله پژوهشی
نویسندگان
1 کارشناسی ارشد، گروه علوم ارتباطات، دانشکده علوم اجتماعی، دانشگاه تهران، تهران، ایران
2 دانشیار، گروه علوم ارتباطات اجتماعی، دانشکده علوم اجتماعی، دانشگاه تهران، تهران، ایران.
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
The connection between protest music and the emergence or continuation of social movements and protests is a significant aspect of the role of music and media in the social sphere of various societies. This becomes particularly important when protest music is combined with visuals, especially in an era where image-centric social media platforms such as Instagram are widely used. This study critically examines protest music videos and their role in social movements as a means of expressing dissent. Using a purposive sampling method, two music videos, Baraye and Baraye Dokhtare Hamsayeh, which emerged during the social protests in Iran in 2022, were selected for analysis. The study employs a combination of Roland Barthes’ "narrative analysis" and John Fiske’s "semiotics" as qualitative research methods.
The findings suggest that Baraye adopts a reflective approach, aiming to mirror the social realities of the time. The discourse it constructs is one of freedom, striving to shape a new social and political configuration for the future. Conversely, Baraye Dokhtare Hamsayeh takes a persuasive stance, adopting a formative approach that seeks to direct society toward a specific truth as perceived by the sender. Its discourse revolves around awareness and security, serving as a reminder to society from the creator’s perspective.
کلیدواژهها [English]
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