نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی کارشناسی ارشد رشته سینما ، گروه انیمیشن و سینما، دانشکده هنر و معماری دانشگاه تربیت مدرس،ایران.
2 عضو هیات علمی گروه سینما و انیمیشن،دانشکده هنر و معماری دانشگاه تربیت مدرس،تهران،ایران.
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
There is a character in a significant number of fictional films in Iranian cinema that are often referred to as "Jahel", a character that can be said to have been popular before the revolution. This character has been making his way to Iranian films since the mid-thirties. In this research, we have explored the emergence of this character in Iranian cinema in the overall socio-historical context with Due to the state of cinema and filmmaking during the period under discussion. The results of this study show that what hasbrought attention to "jahel", is the despair and reluctance of the manifestations of Western civilization and, as a result, the search for indigenous solutions both among the masses and among the intellectuals. This was the result of the occupation of the country in World War II and the government's attempt to sub-Westernize Iran during those years.On the other hand, Iranian filmmakers, who could not technically compete with foreign films distributed in cinemas, had to approach folk culture and language in themes, characters, and dialogues. so The Jahel character, who popularized by the story of "esmal in New York", is being drawn to the attention of filmmakers and audiences.
کلیدواژه‌ها [English]
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