نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی دکترای پژوهش هنر، گروه پژوهش هنر، دانشکده هنر، دانشگاه الزهرا (س)، تهران، ایران
2 دانشیار گروه آموزشی پژوهش هنر، دانشکدۀ هنر، دانشگاه الزهرا، تهران، ایران
3 دانشیار گروه علوم اجتماعی، دانشکده علوم اجتماعی، دانشگاه تبریز، تبریز، ایران
4 استادیار پژوهشگاه علوم و فناوری اطلاعات ایران (ایرانداک)، تهران، ایران
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
Alamat is a Muharram’s artistic-ritual object in Iran, which is made with special artistic and technical principles. These principles and their effects on the social role of this object have changed over time. Because Isfahan is an important center for the traditional production of Alamat and this object is an important artistic-ritual object in this city, this research considers the effect of new technological changes in the production and promotion of Alamat on its social status and function. For this purpose, the authors have used the anthropological definition of social position in combination with the agency theory of Alfred Gell. This article seeks to answer two questions: What function and social status does Alamat have in Isfahan city? Moreover, what effect has the new developments of technology had on the Alamat’s traditional characteristics, social status, and function among this city’s citizens? This research’s data has been collected through ethnography and non-reactive methods. The research results show that Alamat in Isfahan city is one of the components of the determining cycle of an individual’s social status and the use of modern technology in its construction has the following effects: Increasing the demonstration and promotion function of Alamat, changing the criteria of the social status and value of this object from ritual and social criteria to individual and demonstrative criteria, shifting the position of agent and patient in the interaction of Alamat and society, and breaking or weakness in the cycle of determining the Alamat’s social status based on its agency.
کلیدواژه‌ها [English]
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