نوع مقاله : مقاله پژوهشی
نویسندگان
1 استاد گروه پژوهش هنر، دانشکده هنرهای تجسمی، دانشگاه تهران، تهران، ایران
2 پژوهشگر مطالعات هنر، دکترای پژوهش هنر، دانشگاه تهران، ایران.
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسندگان [English]
There are many cultural and artistic documents of the natives of Musian culture, people who have lived in parts of the south of ancient Iran before history. Among these, special imaging images on pottery have been discovered from this culture which attracts a lot of attention. What makes these portraits seem to be indicators is the excerbated motifs on those Pottery with human focus. Drawing these experiential and specific motifs cannot be meaningless. The fundamental question here is what meaning, concepts and hidden messages do these images have and convey? Considering this main problem of this study, receiving hidden meaning in these images according to applied visual elements in them. The method of this study was qualitative-analytical and its data were prepared by historical approach and using library tools. The aim of this study was to study the neglected part of visual arts in prehistoric Iranian culture to prove the homogeneity of these figures in one order and with a name based on receiving the hidden meaning of the visual semantics from the belief-social and trans-narrative worldview in prehistoric culture. This important will be achieved by relying on the recognition and recognition of the social-cultural biology of prehistoric peoples and its generalization to the visual elements of the images of Musian culture.
کلیدواژهها [English]
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