نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی دکتری زبان و ادبیات فارسی،دانشکده ادبیات و علوم انسانی، دانشگاه یاسوج،یاسوج، ایران
2 استادیار، گروه زبان و ادبیات فارسی،دانشکده ادبیات و علوم انسانی، دانشگاه یاسوج،یاسوج، ایران
چکیده
کلیدواژه‌ها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
The Iranian women's literary field was formed in the 1960s as a sub-field of literature, which was the result of political, economic, and social changes in the country and the change in the habits of the actors of the literary field. In this research, according to Pierre Bourdieu's approach, which is relevant in the field of sociology of cultural productions, we discussed how the female literary subfield was formed by Forough Farrokhzad, Simin Daneshvar, Tahereh Safarzadeh, and Simin Behbahani. The works they have created in this decade have also polarized the field due to the type of capital, habit and stance they have. The results of the research show that Farrokhzad and Daneshvar are in the center of the women's literary field with modernism, Safarzadeh is in the ideological pole of Islamist (neo-religious) and Behbahani is seen in the direction of literary return with classical literature. In the following, we examined Farrokhzad's actions in this decade in a case-by-case manner, which includes changing the face of a poet, moving from romanticism to symbolism, depicting oppression in society, fighting injustice, depicting suffocation, etc.
کلیدواژه‌ها [English]
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