نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشیار گروه علوم اجتماعی، دانشکده علوم انسانی، دانشگاه کاشان، کاشان، ایران
2 دانشیار گروه علوم اجتماعی، دانشکده‌ی علوم انسانی، دانشگاه کاشان، کاشان، ایران.
3 دانشجوی دکتری بررسی مسایل اجتماعی ایران، گروه علوم اجتماعی، دانشکده علوم انسانی، دانشگاه کاشان، کاشان، ایران
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
Cinema is one of the types of media that are very important because it influences people's thoughts. They may distort reality in the process of representation. The issue of women and the perception of each culture and the way of presenting the model of the female character in cultural productions are among the best indicators in evaluating the performance of a system it is necessary to conduct a research with the aim of representing the social base of women in popular Iranian cinema in the 70s. Three movies are selected for analysis. Sampling among all popular movies has been done in a targeted way. The selected films are: Red, Dogfight Shukaran. The results show that in the 70s, in these three films, there is a special attention towards women and their issues, but each of the women is faced with men whose mental reserve originates from patriarchal hegemony is spontaneous satisfaction and replacement. It is for the social power of men. Women's reaction to men's domination is a cry for agency; But the rise of patriarchy is in front of them, because the relationships that women experience in society are influenced by ideology, which Althusser considers to be a misunderstanding. Women break the gender structure based on women/men so that they are not traditional but not modern either.contrary to the reputation of the cinema of the 70s for women's cinema, the occurrence of hardware and cold repression by the ideological structure is the characteristic of the cinema of this decade.
کلیدواژه‌ها [English]
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